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Anne Vallayer-Coster, Still Life of a Melon, a Peach, Flowers and Grapes on a Ledge, c.1780 . Anne Vallayer-Coster, Still Life with Round Bottle, 1770 . Anne Vallayer-Coster, Still Life with Ham, Bottles, and Radishes, c.1767 Vallayer-Coster was often compared to female contemporaries, including Adélaïde Labille-Guiard and Elisabeth Louise Vigée-LeBrun, who were more widely praised as portraitists. After a scathing review from critics at the Salon of 1785, Vallayer-Coster quit painting portraits and instead focused on still lifes.

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[11] Her work reveals the clear influence of Jean-Baptiste-Siméon Chardin, as well as 17th-century Dutch masters, whose work has been far more highly valued, but what made Vallayer-Coster Mar 15, 2019 - One of only four women to be admitted to the French Royal Academy of Painting and Sculpture before the French Revolution, Anne Vallayer-Coster was an accomplished still life artist with the patronage of Marie-Antoinette. This canvas and its pendant, Still Life with Game, also in TMA's collection, were painted the year Vallayer-Coster was appointed a painter to the queen. Anne Vallayer-Coster painted Still Life with Mackerel in 1787, near the end of the Ancien Régime and the beginning of French Revolution of 1789. What she captures in Still Life with Mackerel is the elegant but restrained opulence of this soon-to-be vanished world.

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27 3/4 by 35 1/4 in. Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey. 1968.1a.

Anne Vallayer-Coster - Wikiwand

According to Sayer (2016) “ Lush in its brushwork, and with a sense of luminosity that we can almost feel, the painting celebrates Vallayer – Coster’s skill as an artist, her ability to control oth color and light. Still Life with Lobster. 图片尺寸：800x630px. 作品名称：Still Life with Lobster. 创作者：Anne Vallayer-Coster. 创作年代：1781.

include Still Life with Seashells and Coral (1769), and Still Life with Here's to Anne Vallayer-Coster, savvy with the still-lifes and bosom buddy to every Parisian royal. Although her character is called into question by virtue of her  1 A piece of misinformation, often repeated, is that lobsters were generally not eaten lobster was also deemed to be a subject fit for inclusion in European still- life and Anne Vallayer-Coster (1744-1818) depicted lobsters on thei Anne Vallayer-Coster (1744–1818) Blue pencil.svg · wikidata:Q468772 · Anne Vallayer-Coster.
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During these centuries, the genre of still life was placed lowest on the hierarchical ladder. Vallayer-Coster was often compared to female contemporaries, including Adélaïde Labille-Guiard and Elisabeth Louise Vigée-LeBrun, who were more widely praised as portraitists. After a scathing review from critics at the Salon of 1785, Vallayer-Coster quit painting portraits and instead focused on still lifes. In the following year, on 21st April, she married Jean-Pierre-Silvestre Coster, a lawyer from Nancy, who held posts in the French government, and thereafter she was known as Vallayer-Coster. 135-136, repr.

This canvas and its pendant, Still Life with Game, also in TMA's collection, were painted the year Vallayer-Coster was appointed a painter to the queen.
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Title: Still Life with Mackerel. Creator: Anne Vallayer-Coster. Date Created: 1787. Physical Dimensions: 19 1/2 × 24 in.